School of Theatre & Dance

DanceUSF 2015 Spring Dance Concert

2015 Spring Dance Concert presented by DanceUSF

Fri, March 20 - Sat, March 21 at 8 pm
Sun, March 22 at 3 pm
Thur, March 26 - Sat, March 28 at 8 pm
USF Theatre 1, Tampa Campus (view map)

Great article by Melanie Wiesen in Creative Loafing!

Lovely concert profile piece by Barbara Melendez on the main USF webpage!

Don’t miss this exciting evening of dance which includes pieces by guest artists, our DanceUSF faculty, and original student work. Guest choreography includes a piece originally choreographed by Alonzo King, visionary choreographer and founder of Alonzo King LINES Ballet, and a work by Robert Moses, founder of Robert Moses KIN whose choreography can be found in the repertories of some of today's hottest dance companies. Additionally this concert will feature works by faculty members Bliss Kohlmyer, Paula Nuñez, Andee Scott and Jeanne Travers and original works choreographed by our most talented dance students. The Spring Concert promises to be an exciting evening of dance.

Alonzo King in residency at USF

Alonzo King Speaking to USF Dance students.

USF Dance students pose with Alonzo King in the dance studio.

Alonzo King. Photo by Frank Thibault

Photo by Frank Thibault


Alonzo King has been called a visionary choreographer, who is altering the way we look at ballet. King calls his works ‘thought structures’ created by the manipulation of energies that exist in matter through laws, which govern the shapes and movement directions of everything that exists.

King has works in the repertories of the Swedish Royal Ballet, Frankfurt Ballet, Ballet Bejart, Les Ballets de Monte-Carlo, Joffrey Ballet, Alvin Ailey, Hong Kong Ballet, North Carolina Dance Theatre, and Hubbard Street Dance Chicago. He has worked extensively in opera, television, and film. Known for collaborations, seminal works include People of the Forest (2001), choreographed with Baka artists from Central African Republic and Long River High Sky (2007), with China’s Shaolin Monks. He has collaborated with actor Danny Glover, legendary jazz saxophonist Pharaoh Sanders, Hamza al Din, Pawel Szymanski, Jason Moran, and tabla master Zakir Hussain. Renowned for his skill as a teacher, King has been guest ballet master for dance companies around the globe. In 2012 King was awarded the Lifetime Achievement Award by the Corps de Ballet International Teacher Conference.

King is the director of the international touring Company, Alonzo King LINES Ballet housed in San Francisco with the Alonzo King LINES Ballet BFA at Dominican University of California, Training Program, Summer Program, and Dance Center.

Alonzo King is the recipient of many prestigious awards, including the Dance Masters of America, President Award, and the first ever Barney Choreographic Prize from White Bird Dance, which King received in July 2013 and April 2013 respectively. In October 2012 the San Francisco Museum & Historical Society named King a "San Francisco Living Treasure" in recognition of the significant contributions he has made to the historic fabric of San Francisco over the last 30 years. San Francisco Mayor Gavin Newsom presented the Mayor’s Art Award to King in October 2008, calling him a “San Francisco treasure.” In June 2008, King was honored with the Jacob's Pillow Creativity Award in recognition of his contribution to "moving ballet in a very 21st-century direction". In 2006, King received the US Artists award, and in 2005, received New York’s Bessie Award for Choreographer/Creator. He is also the recipient of the NEA Choreographer's Fellowship, Irvine Fellowship in Dance, National Dance Project and the National Dance Residency Program, as well as several Isadora Duncan Awards. He has received the Hero Award from Union Bank, the Los Angeles Lehman Award, and the Excellence Award from KGO, and was chosen a recipient of the San Francisco Foundation's 2007 Community Leadership Award. In 2014 King was appointed to the advisory council of the newly established Center for Ballet and the Arts at New York University; and in 2005 he was named a Master of Choreography by the Kennedy Center. King is a former commissioner for the city and county of San Francisco, and a writer and lecturer on the art of dance. He was awarded the Green Honors Chair Professorship from Texas Christian University, and holds honorary Doctorates from Dominican University of California and California Institute of the Arts.

"Alonzo King is one of the few, true Ballet Masters of our times. His intimacy with Ballet's multiple histories has made his choreography rich with the complex refractions that demonstrate a full command of the art's intricacies..." – William Forsythe, Frankfurt Ballet

"The most sophisticated modernism in classical dance. The number of ballet choreographers who live - and create - solely in the present are so few that one of his distinction must be accounted the artistic equivalent of a shooting star." – Los Angeles Times

Robert Moses

Robert Moses, visiting choreographer.

Since founding Robert Moses' Kin in 1995 in San Francisco, choreographer Robert Moses has created numerous works of varying styles and genres for his highly praised dance company. His work explores topics ranging from oral traditions in African American culture (Word of Mouth, 2002), the life, times, and work of author James Baldwin (Biography of Baldwin, 2003), and the dark side of contemporary urban culture (Cause, 2004), to the nuanced complexities of parentage and identity (The Cinderella Principle, 2010), and the simple joys of the expressive power of pure movement (Toward September, 2009). Moses has worked collaboratively with numerous artists and organizations, among them Julia Adam, Margaret Jenkins, Alonzo King, Sara Shelton Mann, Joanna Haigood, SoVoSo, Marcus Shelby, Keith Terry, Frank Boehm, Will Power, Somei Yoshino Taiko Ensemble, Bill Morrison, Ann Galjour, David Worm, Kid Beyond and Youth Speaks. Since 2008 Moses has composed original scores for several of his dances.

In addition to his work with Robert Moses’ Kin, Moses has choreographed for San Francisco Opera (La Forza del Destino, 2005), Philadanco, Cincinnati Ballet, Eco Arts, Transitions Dance Company of the Laban Center in London, African Cultural Exchange (UK), Bare Bones (UK), Oakland Ballet, Moving People Dance, and Robert Henry Johnson Dance Company, among others. He has choreographed for film, theater and opera, with major productions for the Lorraine Hansberry Theater, New Conservatory Theater, Los Angeles Prime Moves Festival (L.A.C.E.), and Olympic Arts Festival.

Robert Moses’ Kin has received significant funding from the National Endowment for the Arts, New England Foundation for the Arts, William and Flora Hewlett Foundation, James Irvine Foundation, Wallace Alexander Gerbode Foundation, San Francisco Arts Commission, California Arts Council, San Francisco Hotel Tax Fund, and San Francisco Foundation, among others. The company is the recipient of three Isadora Duncan Dance Awards, the Bonnie Bird North American Choreography Award, the SF Weekly Black Box Award for Choreography, and the SF Bay Guardian Goldie Award in Dance. RMK has performed at many nationally esteemed venues such as the Jacob's Pillow Dance Festival, Fall for Dance/City Center, Bates Dance Festival, Colorado Dance Festival and Black Choreographers Moving Toward the 21st Century. The company performs its annual home season at San Francisco’s Yerba Buena Center for the Arts.

In 2005 Moses was named Choreographer-in-Residence and Artistic Director of the Committee on Black Performing Arts at Stanford University, where he has been on the dance faculty since 1995. An alumni of California State University Long Beach and a highly regarded master teacher, Moses has taught on campuses and at festivals throughout the United States, including Bates Dance Festival, Colorado Dance Festival, Goucher College, UC Berkeley, UC Davis, University of Texas, and University of Nevada. Moses has been a returning guest artist at the Northwest Dance Project and a mentor with Choreographers in Mentorship Exchange (CHIME). He conducts movement and performance workshops internationally, most recently for artists of African descent with State of Emergency Limited in the United Kingdom.

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